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Exclusive Interview with Saladin Ahmed, Author of “Star Wars: Boba Fett – Black, White & Red #2”

Published October 21, 2025 • Written by • Filed under Collectibles

Saladin Ahmed continues Boba Fett’s “Black, White & Red” anthology with issue #2, out October 29th.

We got to chat with the Eisner Award winning writer about it in advance:


BFFC: Welcome back to the Star Wars universe! You previously wrote short stories for the Canto Bight and From a Certain Point of View: Return of the Jedi anthologies. What was it like writing for Boba Fett this time around?

Saladin Ahmed: Well despite my deep love for rancor keeping, tackling Boba Fett certainly feels like a level up of sorts within the universe. Whether you agree with the conventional wisdom or not, he’s been considered the coolest character in Star Wars for decades — how could I not jump at the chance to write him?

BFFC: What did your writing process for Star Wars: Boba Fett — Black, White & Red #2 look like?

My writing process looks pretty unromantic — doing it for a living means treating it like a job. Wake up, get the kids to school, make coffee, sit down in front of a computer for most of the day.

But I’ve had some terrible jobs, and the big difference with this one is that alongside the hard work there’s fun. You always find a key thing in the story that you latch onto that generates the excitement that keeps you working. For this story it was thinking about bounty hunting in reverse — what would it be like to be hunted by Boba Fett? And what sort of slippery eel could make him work for his pay? The story flowed from there.

BFFC: Is there a specific Boba Fett moment that inspired the story you wrote?

Less a specific moment and more his broad reputation. Boba Fett is the guy who always catches his quarry. That’s what’s cool about him. So I thought it would be fun to put him against someone who isn’t tough or powerful but who can run like hell.

BFFC: You also wrote an issue of Wolverine: Black, White & Blood. How does the more limited, but vivid, color palette affect your storytelling? And are there differences between how you use it for Fett vs. Wolverine?

What’s wild is I also did a Harley Quinn story in the same mode! I think it’s an awesome palette to work with — for me it’s about thinking through what’s most alive in that character’s world. For Logan it was a whole lot of blood. For Boba Fett it’s a rocket pack and blaster bolts.


The second issue comes out a week from Wednesday on October 29, 2025. Ask your local comic book retailer about any or all of the variant covers, too.




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NYCC 2025: Our Exclusive Interview with Hasbro

Published October 9, 2025 • Written by • Filed under Collectibles

BFFC’s Chelsey B. Coombs spoke with Chris and Brandon on the Hasbro Star Wars team after a surprise reveal of a new Black Series “Book of Boba Fett” Boba Fett in their panel today! We got to speak with them about the details of the new figure, right in front of us and outside the display case. Brandon mentioned if you stay loud about things (e.g. throne for Fett, etc.), it can make a difference – they’re listening. We also chat about the HasLab success, “The Mandalorian and Grogu” on the horizon, and more.

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Review: "Star Wars: Boba Fett – Black, White & Red #1"

Published September 17, 2025 • Written by • Filed under Collectibles

Boba Fett really gets to shine in comics — especially this one, which begins a 4 part anthology style miniseries with different writers for each issue.

As stated from its title, “Boba Fett – Black, White & Red #1” consists only of using the colors black, white, and red. We need to state the obvious because this style is instrumental in creating a certain vibe for this comic. It makes it seem “retro,” more dated than it actually is. The style might not be for everyone, but I did enjoy it. It reminds me of certain movies like “Sin City,” that were largely in black and white with minimal color elements. It gives an artistic and atmospheric gravitas to the whole thing. I’m no comic aficionado, so I don’t know how common this style is. But for this particular miniseries, especially one about Boba Fett, I think it works.

But the most important part of anything in pop culture is the story itself. So how does it hold up? We’ll briefly go through it and I’ll give my verdict on that.

This issue is called “The Impossible Job,” written by Benjamin Percy with art by Chris Allen. That’s actually an important factor concerning Boba that we’ll dive into later. For now, the story starts on Sterna IV, which is apparently an Imperial prison station. Boba is slaughtering Imperials left and right while dragging some prisoner. Everyone involved thinks Boba is crazy to be doing this – that the Empire will destroy him. The comic makes sure to note to us that this is the sort of mission that most would consider impossible. However, as one early panel says, “Boba Fett always found a way when others didn’t.”

Let’s pause a moment, because that particular quote hit heavy with me. At his absolute best, Boba Fett is the definition of relentlessness and efficiency. It’s a faithful continuation of his original portrayal in “The Empire Strikes Back” and is especially a great tribute to who he was in the Expanded Universe / Legends. This idea of finding a way when others would have given up or not even tried – that was one of the core ideas of what Boba once represented, and what inspired me following his missions as a kid. When I read this quote, I knew that this author gets it. Benjamin Percy gets Boba.

I imagine this takes place during the Galactic Civil because both the Rebels and Empire are mentioned. Boba, of course, escapes with the prisoner and delivers him to the client, a rhino-like crime lord appropriately named Tusk. However, bounty hunting is a complicated profession. One of the reasons it’s complicated is because treachery in this business is as common as oxygen molecules in the air. For whatever reason, Tusk had sold him out to the Imperials and Boba is surrounded by Stormtroopers. This particular moment was interesting and tense. There were about nine Stormies surrounding him. Realistically, it’s essentially impossible to win a 1 vs. 9 at close quarters. But remember, this is the legend Boba Fett that we’re talking about. Conversely, Stormtroopers are absolute cannon fodder and a competent operator can likely take out several on their own. However, Boba plays along and lets himself get captured.

Long story short, he’s captured alive because the Imperial officer involved in this operation wants a certain thief named Bantan Jabar captured, along with a data disk of stolen Imperial data. If Boba can do this bounty for the Empire, his previous transgression in the prison break is forgiven. A quick side note: that initial prison break kind of reminds me of something similar Jango Fett did in the game “Star Wars: Bounty Hunter.” However, Jango’s mission was far crazier and harder than what we just saw Boba pull. I guess completing impossible missions runs in the Fett family.

This Bantan Jabar is hidden on a volcanic system, protected by the Rebel Alliance. Boba and the Slave I are immediately surrounded by Rebel vessels, but they just “want to talk,” notes one panel. Their leader is a rough Rebel called Rooker. They do the dirty work for the Rebel Alliance. They know Boba is after the disk that the thief gave them. However, they want to strike a deal with Fett. They offer to pay him off, double the bounty, to not continue the bounty. Boba agrees…

However, Boba always completes a mission once he accepts it. Deducing that the heat of this system would force Rooker to have a base on a cooler location, Boba finds a nearby moon and heads there. Of course, the base is there. It seems to be very well built and impervious to outside attack. However, a critical error presented an opportunity: the oxygen recycler was located partially outside the base. Boba’s jetpack missile makes short work of this and the base starts filling with smoke. The thief, Jabar, seems to be a member of the same race as Pong Krell; he tries to use 4 blasters to blast his way out of this mess. It doesn’t matter, as Boba easily subdues him with the good old whipcord.

The next and final sequence of the comic is what Boba Fett is all about and wraps up the story in the same cunning way Boba used to triumph in the “good old days.” We see Boba negotiating with both the Rebels and Empire. With the Empire, he gives the coordinates for them to meet him and trade the bounty for the data disk. With the Rebels, he will give them the physical data disk back in exchange for the money they promised him. It’s more or less the same deal…

The Imperials arrive to Fett’s coordinates to find the thief with a thermal detonator in his mouth, and a hologram of Fett. He requests the deal to be completed, and it is. You see, the Imperials were planning to kill Fett after they got the data disk, and he knew it. This is the signature trait of the way Boba Fett operated in the Expanded Universe / Legends: he was always one step ahead of his opponents. In anticipation of this ambush, he doesn’t show up physically and leaves an incentive – the thermal detonator – for them to cooperate.

But it gets even better. Boba had also given the same coordinates to Rooker’s Rebels. They were also planning to double cross Fett and he also got the drop on them in the exact same way. He outsmarted both parties, turned their machinations in on themselves and even pitted them physically against each other. In conclusion, everyone in this comic loses but Boba – and that’s what I like to see. It’s a testament to why he became the best bounty hunter in the galaxy.

Overall, this comic was simple and straightforward, but great. It’s an excellent nod to the Boba of old and I hope this trend continues. Hopefully it can help Boba regain momentum, starting with issue #2 which drops October 29. He has unfortunately had something of a drought after “The Book of Boba Fett.” He made an awesome cameo in “Star Wars Jedi: Survivor” and a forgettable one in “Star Wars Outlaws.” The stories like the one in “Black, White & Red,” why can’t we get more of that in other mediums? Fingers crossed for now. I think this comic is a worthwhile read and a faithful addition to Boba’s career.

The Pros

  • Faithful portrayal of Boba Fett

The Cons

  • Enemies are typical cannon fodder – no heavy hitters

Rating

4 / 5




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Tribute to Vance Lorenzini

Published September 8, 2025Updated • Written by • Filed under Fettpedia

We just learned that Vance Lorenzini passed away at the age of 74 on June 4, 2025.

Co-owner of Daydream Productions with Sandy Dhuyvetter, back in 1978, Vance collaborated on three of the costumes for “The Empire Strikes Back” and one helmet used in “Return of the Jedi.” (Some in the cosplay community swap out the “Empire” ones to say the Pre-Pro 2 costume and helmet plus the Promo 1 and Promo 2 costumes, but there’s consensus on the “Jedi” helmet, which was part of the Promo 1 set.) Everything arrived to their Los Gatos, California based shop from England in the all-white “prototype” form, all featuring the iconic dent.

We reached out to Sandy to share the news and she had this to share with us:

Vance and I met over 50 years ago as Art Teachers in El Rancho School District in Pico Rivera, California. We were passionate artists and quickly fell head over heels for each other. We planned our escape from teaching and together we transformed into professionals as we forged our way to the Bay Area. We called our newly hatched and our first business, Daydream Productions. Our portfolio was rich in that we were both active artists, even while teaching.

Our energy complimented each other as we schlepped our work and found the entertainment sector was alive and active in the Bay Area. We started working almost immediately. The first year, we painted almost a hundred windows during the Christmas season. We silk screened T-shirts and sold them out of our car at festivals. We were hungry and loved creating.

Our first project for Lucasfilm was More American Graffiti working on set props, poster, race car logos and whatever other visual that might be needed. Our second job was creating the final 3 costumes for the original Boba Fett in 1978.

By the end of the project, we both understood our paths might not cross but they were blossoming.

Vance’s career launched as he went on the road with film crews to offer creating and artistic direction. He ended back in Los Angeles area where he continued his career. I went on to discover that the multi-media aspect to film was exploding and started a Bay Area firm called The Electronic Pen.

Vance was quick to laugh and always creative in thought. He was a shining light that always made laugh and made me realize life was good. I know he inspired many.

I am so sorry to hear of his death. My deepest condolences to his family.

— Sandy Dhuyvetter

Known more so for his production designer credits across five decades, Vance was “a creative force behind the scenes, [producing] and [designing] more than 5,000 television commercials and 2,800 music videos, along with several feature films and television projects. His exceptional artistry and innovation earned him numerous awards and widespread recognition throughout the industry,” notes the Vance Lorenzini Memorial Fund on GoFundMe, spearheaded by Vance’s son, Christian Lorenzini.

Some of his non-Star Wars work included working with filmmakers like David Fincher and Michael Bay; brands like Porsche and Nike; and musicians like Katy Perry and Mariah Carey. See his Wikipedia and IMDb pages for more. Don’t miss his Instagram page too for more visuals through 2021.

Marcus Nispel, a colleague shared this on Facebook: “[He] introduced me to the concept of quality. Vance used that word all the time. He taught me that quality is not just important in what we put in front of the camera… but that it matters in all aspects of life: In what we eat, how we live, friends, music, health… in everything. … Vance Lorenzini was and always will be the epitome of excellence… he has left us with a body of work and a work-ethic that one can only hope to aspire to.”

Sandy Dhuyvetter with Vance Lorenzini, circa 1977. Photo courtesy of Sandy for our post here.


Helmet nod to Rachel G. for emailing us to let the larger community know.

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Exclusive Interview with Benjamin Percy, Author of “Star Wars: Boba Fett – Black, White & Red #1”

Published September 3, 2025Updated • Written by • Filed under Collectibles

Benjamin Percy kicks off the debut issue of Boba Fett – Black, White & Red, the four issue anthology starting September 17th.

We had the opportunity to ask the acclaimed writer about the upcoming issue:


BFFC: What did your writing process look like for Star Wars: Boba Fett – Black, White & Red #1?

Benjamin Percy: When you’re working with Marvel on any property, there’s an approval process. Typically you put together a pitch – and once that gets noted and approved, you provide a beat-by-beat breakdown of the issue—and once that gets noted and approved, you go to script. And then your collaboration has just begun with the artist and colorist and letterer, so things continue to get massaged. Many steps, each one intended to make the story stronger.

But Boba Fett – Black, White & Red #1 isn’t just a Marvel story—it’s also a Star Wars story. So there’s another force (so to speak) at work. Lucasfilm is kind of like Yoda: wise and encouraging, but also tough and all-knowing. They have the absolutely insane challenge of taking all their stories (and there are many of them—from the movies to the shows to the novels to the comics)—and making them fit within their established continuity. They are carrying around encyclopedias worth of knowledge in their heads.

So all of us are working together to give fans the very best a galaxy far, far away has to offer. I pitched a story—called “The Impossible Job”—that puts Fett in a tight spot. He’s chasing a bounty—on the greatest thief in the galaxy—but he’s getting pinched by both the Empire and a rogue unit of rebels. They approved the germ of the story, and we started building from there.

It’s been a total blast. But the most fun part? Seeing the art. Every time I got an email alert, I rushed to open the latest pages and panels and designs. Christopher Allen is an artist I’ve worked with before (on Predator Vs. Black Panther), and does a brilliant job with Fett—and with the Star Wars universe. The layouts are so dynamic and the backgrounds and sets are lushly detailed. You can tell he loves drawing in this world.

BFFC: Is there a specific Boba Fett moment that inspired the story you wrote?

Not really. It’s more of a vibe. Fett is so cool, so unflappable, so capable. I wanted to put him in a situation that had serious heat and pressure to see how he’d respond.

BFFC: How does writing someone like Boba Fett compare to writing Wolverine or The Predator?

Well, both of those characters you mention are especially primal and raw. Fett might be a hunter, like the Predator, and he might be a loner, like Wolverine—but there’s so much self-control as he calculates his next move and how he’s gonna get paid.

But regardless of their differences, here’s what’s the same: they’re both big franchise characters that people love. So you want to honor their legacy while also putting your own unique stamp on them.

BFFC: How does the more limited, but vivid, color palette affect your storytelling?

If I’m writing a Black, White, and Red book, my brain is immediately focusing on that red—and how we can take advantage of it. I already mentioned how Fett finds himself pinched between two opposing forces—the Empire and a rogue rebel faction—as he pursues the greatest thief in the galaxy… but I didn’t tell you how I raised the stakes even further with the setting. This guy has hidden himself in a lava system. So the reds vividly burn their way onto the page.


The debut issue comes out September 17, 2025. Ask your local comic book retailer about any or all of the variant covers, too.




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SDCC 2025: Our Exclusive Interview with Premium Collectibles Studio

Published July 27, 2025Updated • Written by • Filed under Collectibles

We spoke with Anthony Adams, the owner of Premium Collectibles Studio, who showed off their relatively new Star Wars line at SDCC this year with Darth Maul and Darth Vader.

Before this interview, we had just coordinated with PCS via Gabe Estrada (aka gabesempire) to show off the design of their forthcoming Boba Fett fine art piece on our social channels, after it was revealed during the Lucasfilm: High-End Star Wars Collectibles panel on Friday. Some feedback came up on our post, which Anthony addresses – a cool, rare reaction to get things more accurate, especially at this price point. (Shout out to BFFC fan and The Dented Helmet expert Budafett.)

Anthony also mentions when pre-orders should open up and how there will be a variant without the back artwork, which features Boba on his rancor from “The Book of Boba Fett.”

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SDCC 2025: Our Exclusive Interview with Hasbro

Published July 27, 2025Updated • Written by • Filed under Collectibles

We got another opportunity at SDCC for an exclusive interview with the Hasbro Star Wars team, starting with product designer Eric Franer who worked on the new Black Series Jango Fett. We also got the lowdown from Hasbro Star Wars brand manager Jing Houle and design manager Chris Reiff on the newer vignette pieces and the new Vintage Collection LAAT/i Gunship HasLab, plus asked about their own personal favorite releases and the latest on their soft goods on figures.

Questions by BFFC’s Chelsey B. Coombs and video by BFFC’s Aaron Proctor.

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SDCC 2025: Guide for Boba Fett Fans

Published July 10, 2025Updated • Written by • Filed under Community

From Thursday to Sunday, see our Facebook and Twitter feeds for the most up-to-date imagery and info from the convention floor.

Thanks for checking out our 11th annual guide for Fett fans to SDCC! We’ll be attending San Diego Comic Con (SDCC) again as press!

Here’s our checklist to all the Boba Fett stuff we know about in advance and/or as we see it, plus related findings like general Star Wars exclusives. Updated often, especially during the convention itself.

Jump to: Panels | Exhibitors | Artists | Authors | Cosplayers | Video Recaps


Panels

We browsed the official panels list and found a few for Star Wars fans:

Thursday, July 24

Nothing of note.

Friday, July 25

  • 10:00am – 11:00am: Lucasfilm Publishing: Stories from a Galaxy Far, Far Away… @ Room 7AB
    “From the days of the High Republic to the Rise of the First Order, storytellers from across the Star Wars galaxy offer behind-the-scenes stories. Featuring authors Tessa Gratton, Cavan Scott, George Mann, and Charles Soule. Be the first to see sneak peeks and hear exciting reveals from upcoming creative projects. Moderated by Michael Siglain.”
  • 11:00am – 12:00pm: Lucasfilm: High-End Star Wars Collectibles @ Room 7AB
    “Lucasfilm’s Brian Merten invites you to hear what’s happening in the galaxy of Star Wars high-end collectibles. You’ll get a look at some exciting new items as well as learn what drives the people who strive to make the items that provide an authentic connection to the stories we all love.” One fan, Gabriel Estrada (aka @gabesempire on IG), plans to stream it all here:
  • 12:30pm – 1:30pm: Doug Chiang will be signing at the AA25 – Sails Pavilion
  • 1:00pm – 2:00pm: Star Wars Books from Random House Worlds @ Room 7AB
    “The Force is strong with these books! Tom Hoeler (editorial director at Random House Worlds), Gabby Munoz (editor at Random House Worlds), New York Times bestselling author Charles Soule (Star Wars: Trials of the Jedi), and audiobook narrator Marc Thompson discuss the epic conclusion of Star Wars: The High Republic and take a deep dive into upcoming books set in a galaxy far, far away from Random House Worlds.”
  • 2:00pm – 3:00pm: Hasbro Star Wars Panel @ Room 7AB
    “Members of the Hasbro marketing and design teams discuss the popular Hasbro Star Wars line, including the Black Series and The Vintage Collection. Attendees will get an in-depth look at Hasbro’s latest action figure offerings from throughout the saga. Word on the HoloNet is there may also be a few surprises. May the Force be with you!”
  • 5:00pm – 6:00pm: The Saga Museum of Star Wars Memorabilia @ Room 7AB
    “Collectors Steve Sansweet (founder of Rancho Obi-Wan, former head of fan relations at Lucasfilm), Gus Lopez, and Duncan Jenkins, and board members Anne Neumann, Michael Wistock, and Rich Smolen discuss the history and background of four of the world’s foremost Star Wars memorabilia collections and their plans to open a public, world-class museum to exhibit and preserve these objects. Preview items to be auctioned at Comic-Con Museum on Sunday to support this effort. Q&A to follow.”
  • 6:00pm – 7:00pm: The 501st Legion: Star Wars Villainous Costuming @ Room 7AB
    “Legion members Dean Amstutz, Kevin Weir, David Neth, David Ancheta, Sara Wetmore, Milan Nguyen, and Todd Mullin from the Imperial Sands and Southern California Garrisons provide an overview of the creative process that bring Stormtroopers, Tusken Raiders, Boba Fett, or Kylo Ren from the silver screen into reality. They will speak about the process for working with armor parts, small prop and soft costume construction, and 3D modeling and printing. They will also discuss membership, from initial interest through final approval.”
  • 7:00pm – 8:00pm: This Is Our Way: Mandalorians, Inclusion, and Adaptive Costuming @ Room 7AB
    “Members of the Mando Mercs Costume Club explore how the Mandalorian way embraces disabilities, both in the Star Wars universe and in our own, through inclusive storytelling and costume adaptations that make armor accessible to all.”

Saturday, July 26

  • 10:00am – 11:00am: Jazwares 2025 Sneak Peek @ Room 6A
    “This year Jazwares goes bigger, bolder, and brighter! Collectibles connoisseur Jeremy Padawer presents exclusive reveals, including new collectibles from the Jazwares Vault, Pokémon, Squishmallows, Star Wars Micro Galaxy Squadron, Total Anime, AEW, BLDR, Hello Kitty and Friends, and more. Expect the unexpected with epic brand updates from Jazwares panelists Paul Viggiano (Pokémon brand and design), Tim Bungeroth (Star Wars Micro Galaxy Squadron & BLDR), Daniel Jung (AEW Brand), Selah Estrada (Total Anime Brand), Aaron Margolin (sci-fi and horror brand and design), and Elena Wilson (Hello Kitty and Friends design).”
  • 10:30am – 11:30am: Doug Chiang: A Conversation About Star Wars and Beyond @ Room 29CD
    “Doug Chiang (senior vice president & executive design director at Lucasfilm) will hold a fireside chat to discuss his career as a film designer and share insights on working on Star Wars. Chiang speaks candidly about his evolution to becoming a better artist and gives a special preview of his upcoming two-volume, 800-page, deluxe slipcased book, Doug Chiang: The Cinematic Legacy (Volume I) and The Star Wars Legacy (Volume II), on sale Dec 2025 from Abrams Books. The book features over 2,300 drawings and paintings—many of which have never been seen before. John Romulo (digital asset coordinator at Lucasfilm) will moderate the conversation.”
  • 12:00pm – 1:00pm: Doug Chiang will be signing at Abrams (Booth 1216)

Sunday, July 27

  • 10:00am – 11:00am: Yours, Mine, and Ours @ Room 24ABC
    These authors tell new stories within and beyond the worlds we know. Jeffrey Brown (Hulk Teach, X-Men: Days of Future Fun), Tessa Gratton (Star Wars: The Acolyte: The Crystal Crown), Megan Shepherd (Hour of the Pumpkin Queen), Charles Soule (Star Wars: Trials of the Jedi), and David Walker (Big Jim and the White Boy) discuss what it’s like to work with existing characters and worlds and what it means to contribute to and expand beloved fandoms. Panelists: Tessa Gratton (Star Wars: The Acolyte: The Crystal Crown), Megan Shepherd (Hour of the Pumpkin Queen)
  • 11:00am – 12:00pm: Sneak Peek: Lucas Museum of Narrative Art @ Hall H featuring George Lucas, Guillermo del Toro, and Doug Chiang
    “Legendary filmmaker George Lucas, Academy Award-winning director Guillermo del Toro, and Academy Award-winning artist Doug Chiang explore the power of illustrated storytelling and offer a sneak peek of the Lucas Museum of Narrative Art, moderated by Grammy, Emmy, Academy Award-nominated, and Golden Globe Award-winning artist, Queen Latifah.”

Exhibitors

We dug through the official exhibitors list and the StarWars.com exhibitor exclusives list (which is incomplete) so here’s a more accurate shortlist for Fett fans in alphabetical order:

  • Beast Kingdom @ Booth 2849
  • Beeline Creative / Geeki Tiki @ Booth 2913 (Lucasfilm Pavillion) has a Boba Fett mug reveal / pre-order at SDCC, but they added this on Instagram: “[Both are] a Special Edition of 500pcs, any qty’s that don’t pre-sell in San Diego will be available online at a later date.” They also have their new Sarlacc Pit punch bowl reveal / pre-order also at SDCC, but added this: “The Sarlacc will launch at SDCC for a special show price. Any remaining qty’s will be offered online at a later date.”
  • Dark Horse Comics @ Booth 2615
  • Denuo Novo @ Booth 2913-G (Lucasfilm Pavillion) is back this year — with a Darth Vader helmet
  • Diamond Select Toys @ Booth 2607 which has nothing Star Wars related on display; we also confirmed with a Diamond rep that Gentle Giant Ltd. is no more, just in name only with no plans currently to bring it back
  • EFX Collectibles @ Booth 3721 has high-end Star Wars collectibles but no Fett or Slave I this year
  • Enso Rings @ Booth 2913 (Lucasfilm Pavillion)
  • Fantasy Flight Games @ Booth 2913 (Lucasfilm Pavillion)
  • Figpin @ Booth 2913 (Lucasfilm Pavillion) has some Star Wars pins and exclusives including a 6-inch scale “ROTJ” Rancor, K-2SO, Force Ghost Qui-Gon Jinn, Jedi Knight Revan, Han Solo Quest, and Sith Quest; they also announced “FiGPiN Quest making its first appearance at the STAR WARS™ Pavilion! Introducing the STAR WARS™ Han Solo™ FiGPiN Quest – a four-piece blind box collection featuring Boba Fett™, Bib Fortuna™, Lando Calrissian™, and Han Solo™ trapped in carbonite;” they also have a second space at Booth 405 without Star Wars pins
  • Funko @ Booth 5341
  • Hake’s Auctions @ Booth 704
  • Hallmark @ Booth 2913 (Lucasfilm Pavillion); they also have a second space at Booth 3348
  • Hasbro @ Booth 3213
  • Her Universe @ Booth 2913 (Lucasfilm Pavillion)
  • Heritage Auctions @ Booth 900
  • Insight Editions @ Booth 2129
  • Jazwares @ Booth 3513 has some Star Wars exclusives – again no Boba – which includes Darth Vader’s TIE Advanced and 2x Black Squadron TIEs
  • LEGO @ Booth 2829 has their upcoming Jango Fett’s Starship (75433) set on display, coming August 1
  • Loungefly @ Booth 5145, but they might not have Star Wars items this year
  • Lucasfilm @ Booth 2913 aka Lucasfilm Pavillion has a prosthetic of Can Bane from “The Book of Boba Fett” on display
  • Mattel @ Booth 2945
  • Monogram International @ Booth 3645 has a Boba Fett bank (prior release) for sale here for $30
  • Premium Collectibles Studio (PCS) @ Booth @ 329 has some high-end Star Wars items and a “Book of Boba” fine art bust listed on their website, but TBD if it’s on display or any more info to get
  • Penguin Random House @ Booth 2021 for their Star Wars stuff (plus 1514, 1515, and 1623 for non-Star Wars)
  • POP MART @ Booth 135 will have the debut of their latest Star Wars figure line, which includes Jango Fett; it’s blind box style for $19.99 and not a convention exclusive; they’re also selling the full set for $238.99
  • RSVLTS @ Booth 2913 (Lucasfilm Pavillion) may have their recent convention exclusive shirt, which features Boba Fett alongside other characters; they shared a graphic and info for their per-day convention exclusives and Boba Fett isn’t on them; they also have a second space at Booth 3735
  • Stern Pinball @ Booth 3721
  • Tamashii Nations / Bandai @ Booth 3329 (update: nothing Fett here)
  • Thunder Bay Press @ Booth 1117 has some Star Wars books plus one in-person plus social media giveaway for a signed copy of Star Wars Fascinating Facts by Pablo Hidalgo — see their Instagram post for details on how to enter to win
  • Topps Digital @ Booth 2913 (Lucasfilm Pavillion)
  • Toynk @ Booth 121, 3849, 4344, and 815
  • Trends International @ Booth 2913 (Lucasfilm Pavillion)

Acme Archives and Regal Robot won’t be there this year.


Artists

These artists often feature Boba Fett in their work:

  • Brian Rood @ Booth 1929
  • Cliff Cramp @ Booth 2030
  • Dan Veesenmeyer @ Artists Alley EE-24 who sometimes does LEGO Boba Fett art
  • DKE Toys with Creature Bazaar @ Booth 2643
  • Joe Corroney @ Booth 4300
  • Punch It Chewie Press with BB-CRE.8 @ Booth 1332
  • Lee Kohse @ Booth 2737
  • VanderStelt Studio @ Booth 1931

Artist David Rabbitte will also be at SDCC as just an attendee.


Authors

Writer Jody Houser (Star Wars: Age of Republic Jango Fett #1) will also be there!


Cosplayers

  • The 501st Legion will have their annual group photo outside the convention center (which often has 5-10 Fetts) on Saturday at 11am at the Amphitheater on the Mezzanine level, organized by @chiefgeekphotography (IG)

Video

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The Fetts and the Droids: Artificial Intelligence in Fett Lore

Published July 4, 2025Updated • Written by • Filed under Fettpedia

Despite how it may seem nowadays, artificial intelligence in Star Wars is not a new concept. AI was one of the staple concepts in the Star Wars universe as seen in the droids — protocol, astromechs, and combat (bounty hunter/assassin/battle) — although the term “artificial intelligence” did not appear in Star Wars content until 2015. As a result, almost every human character in the Star Wars universe would have come across droid technology to some degree unless you just happen to be trapped on a planet without technology, like Endor or Dagobah. Boba Fett and Jango Fett would be the type of characters who got used to AI technology, although each had fairly unique relationship with them versus most characters in Star Wars.

Typically in Star Wars, you have droids as assistants. Luke Skywalker with his Uncle and Aunt, for example, needed droids to assist them in work and at home with repairs and maintenance. Jawas scavenged for droids to sell because it was a lucrative business. Geonosians built droid armies because it was profitable. The Jedi Order as far back as 25,000 years (before the Battle of Yavin) used droids for teaching younglings how to build lightsabers, such as Huyang from “The Clone Wars” and “Ahsoka” television series. The Empire also used droids for combat and torture, although they liked to keep their droids from being too independent thinking, as seen in Dark Troopers which are more like mindless killer robots than sophisticated AI. And then there’s my favorite category of droid — the assassin or bounty hunter droid — and it was first seen in Boba Fett’s live-action screen debut in “The Empire Strikes Back” on Darth Vader’s Executor.

IG-88

In the famous scene that introduced Boba, we see Darth Vader hiring six bounty hunters to hunt the Millennium Falcon ship down — with “no disintegrations.” These hunters were Boba Fett, Dengar, Bossk, Zuckuss, 4-LOM, and IG-88 (aka IG-88B), with the latter two being the first assassin or bounty hunter droids to appear in Star Wars. Despite killer droids with sophisticated AI involved in the hunt, it was Boba Fett who succeeded — a testament to his skill as a hunter. IG-88 came close, tracking Fett to Cloud City on Bespin, but Fett saw he was being tracked and turned IG-88 (temporarily) into scrap. It seems an advanced hunter droid cannot factor in luck, whereas by his nature as a human, Boba Fett would be paranoid enough to be prepared for another hunter trying to intercept his bounty. IG-88B would meet Fett again later (in the War of the Bounty Hunters story arc’s IG-88 one-shot comic), once again failing to factor in luck, and failing at his objective. Boba Fett’s blaster shot meant for IG-88 hit a carbon-freezing device he recently installed in Slave I that then froze IG-88. Boba Fett could have destroyed IG-88B once and for all, but Fett lets him live. By booting the frozen droid off his ship and giving the droid something to think about, it left the droid to consider why Fett let it live. It also consider what purpose it has now that it has no mission or master, having it wonder how it could fail if it has been born to succeed. In that moment, Boba Fett freed the droid IG-88B and expanded its droid mind with a newfound existential, philosophical way of thinking. It was a rare act of mercy from Boba, which makes one wonder how he really felt about droids. Did he pity their existence — or did he relate? After all, what is Boba but a copy of another human being, much like how IG-88B was a replica in a set of identical looking droids.

4-LOM

4-LOM was the other original assassin droid that had encounters with Boba Fett. 4-LOM’s name is a bit of a joke from a behind the scenes perspective, as it works as an acronym for “For the Love Of Money.” 4-LOM is basically C-3PO if C-3PO were into crime. 4-LOM’s encounters with Boba Fett — in Shadows of the Empire, War of the Bounty Hunters, and Bounty Hunters #35 — all involved Boba Fett badly damaging the droid, showing once again Boba Fett’s skill against droids who possess advanced AI programming, although the two never truly had any meaningful interactions outside of the bounty hunting business. It never seemed like Fett saw the droid 4-LOM and his force-sensitive, gas mask-wearing friend Zuckuss as much of a challenge, even though on paper a team up like that should be quite formidable.

R2-D2

Boba Fett did not only have an adversarial relationship with peers, but also with arguably the most iconic Star Wars character of all time: R2-D2. This astromech has lived a long time and seen many things and R2-D2 has played a big role in the Legends and Canon life of Boba Fett. In “The Empire Strikes Back,” R2-D2 is present when Luke Skywalker failed to sneak up on Boba Fett in Cloud City, saving Luke from getting shot by Boba Fett’s EE-3 blaster shots by delaying Skywalker’s movements. Even before this, R2-D2 saved Luke’s life in the “Holiday Special” cartoon, “The Story of the Faithful Wookiee,” where R2 manages to intercept a message between Boba Fett and Darth Vader. R2 then relays the message via C-3PO that Fett is working for the Empire before he could capture Skywalker and the rebels.

BL-17

R2-D2’s dislike of Boba Fett was probably greatest on the “Droids” cartoon where Boba Fett had a droid ally that successfully manipulated C-3PO and almost strained R2 and C-3PO’s relationship. BL-17 was the name of Boba Fett’s droid in Legends, prior to “A New Hope.” BL-17 was a droid that once served with the Mandalorian protectors who were aligned with the Confederacy in the Clone Wars. It then became Boba Fett’s droid serving as a partner in the business of bounty hunter.

Highsinger

That relation is not much different than how young Boba Fett in Canon had C-21 Highsinger as a bounty hunter partner in Boba Fett’s clan, Krayt’s Claw. The cancelled game “Star Wars 1313” allegedly would have explored that partnership further between Boba Fett and a droid similar looking for C-21 Highsinger. It would have been interesting to see, but unfortunately what we know about C-21 was that eventually he and Boba Fett separated ways, perhaps because Highsinger sided with Cad Bane when Bane and Fett feuded. Last we saw of Highsinger he was destroyed on a mission with Latts Razzi, another bounty hunter that Boba Fett worked with during “The Clone Wars.” While the original Boba Fett droid, BL-17, was also destroyed during a mission (which R2-D2 interfered with), Boba Fett was rather upset about the droid’s fate, going after his own clients of the Fromm Gang to make up for the loss. It would seem to indicate Boba Fett did value the artificial life of androids to some extent. Maybe it was more because it was his droid and thus his possession, but it could also be that there was sentimental value with BL-17, being a droid that was connected to Mandalorians, since I never really saw Boba Fett as materialistic, or at least not materialistic without a purpose. He owns what he needs.

R2-D2 (Part 2)

R2-D2 did get the best of Fett twice, but the heroic maintenance/repair droid made up for it in the end, but only before being Boba’s nemesis. His first great offense against Boba was denying Fett of revenge against Mace Windu, as R2-D2 is the only reason Mace Windu and Anakin Skywalker survived on the planet Vanqor. That was back when they searched the remains of a Star Destroyer that Boba Fett destroyed, where Windu and Anakin discover a bomb within a Mandalorian helmet resembling Jango Fett. In the Dave Filoni directed “The Clone Wars” episode “R2 Come Home,” R2-D2 prevents Boba Fett from finishing off Mace Windu and then tricks him into thinking that Windu flew off the planet, successfully evading the Slave I’s attacks long enough to reach a hyperspace ring. Boba Fett was denied executing the killer of his father… all because of one little astromech.

The second time Boba Fett got screwed over by R2-D2 was the most famous example of Boba Fett getting unlucky, the famous Sarlacc Pit sequence from “Return of the Jedi.” Now the whole rescue plan was flawed except for one thing, and that was R2 storing the lightsaber. Leia’s rescue attempt and Luke’s initial attempt failed, so what worked was R2 delivering a lightsaber into Luke’s hands, which was total luck since what if Luke’s hands were tied on the skiff? The lightsaber mostly came in handy in that sequence when fighting Boba Fett specifically. The other minions could have been handled with blasters and a few force pushes, but the lightsaber was needed against Fett. When Fett sees Luke distracted by Lando’s near-fall into the pit he comes flying on to the skiff with the help of his jetpack. He raises his EE-3 towards Luke to shoot but it’s the lightsaber that slices Fett’s weapon, temporarily disarming him. Boba could still shoot out the whipcord, which succeeds until a Sail Barge gunner’s blast deflects off Luke’s lightsaber, hitting the skiff hard enough where Fett fell. This allows Chewbacca enough time to warn Solo of his presence, causing him to panic and get a lucky strike on Fett’s jetpack, shooting him towards the Sail Barge and then towards the Sarlacc. R2’s delivery of the lightsaber is the only reason why the heroes survive this sequence. Perhaps Fett should have trusted his instincts and made a preemptive move on R2-D2 in the Sail Barge, as there was one moment where he seemed to glance at the droid with some suspicion.

R2-D2 ultimately did help Boba Fett, albeit indirectly. In “The Book of Boba Fett,” Grogu’s presence on Tatooine in the battle for Mos Espa between the Pyke Syndicate and the Fett Gotra is the result of R2-D2’s link with Mandalorian Din Djarin, an associate of Boba Fett. R2 was the only means to staying in touch, allowing Din to travel to the planet Ossus where Luke was training/re-training the Mandalorian foundling Grogu. The gift Mando gives Grogu makes Luke reconsider his first student’s status, giving Grogu the choice of leaving to reunite with his human father. R2-D2 travels to Tatooine to deliver Grogu to the Mos Eisley mechanic who could find Din Djarin, who was busy working for Boba Fett in a semi-suicidal mission. Grogu arrives just in time to save his father from dying honorably in war, using his force powers to damage a Scorpenek Droid. Scorpenek Droids are one of the examples of unintelligent droid life meant to be weapons of mass destruction. It sometimes takes the combined efforts of The Force, advanced weapons like a darksaber, and Boba Fett on a Rancor to eliminate these major robotic threats.

8D8

The irony is not lost that a droid like 8D8 from Jabba’s palace who went on to work with Boba Fett may seem menacing with their morbid programming, but 8D8 is rather harmless. They are how they are programmed but they are capable of some independent thinking. For example, 8D8 thought Boba Fett felt threatened by the Hutts and thus avoided saying the name of Jabba during a palace briefing, a sentiment Fett felt insulted by. 8D8 also felt Boba Fett might be perceived as weak if he did not torture his enemies, something Boba Fett did not condone. But it’s interesting how tolerant Fett is of a droid being an independent thinker to some degree.

LEP-Series Service Droid

In contrast, the smaller droid in “Book of Boba Fett” that resembled a rabbit, the LEP-Series Service Droid, did not see Fett’s pretty side at first, shutting itself off after being chased around a kitchen when Fett invaded Bib Fortuna’s palace. It then was given a second chance, working in Boba Fett’s palace. This would show Boba Fett being tolerant of a droid that initially was a “quick little bugger” to him. There were several other droids working in Boba Fett’s palace, so he has learned to use droids out of convenience, even having droids dress him up in his armor on occasion. Perhaps as a retired bounty hunter he is more open to droids that provide a convenient service, although traditionally Boba Fett was not a character that cared for using droids for luxurious reasons, so “Book of Boba Fett” was experimental in that approach, done to add some aura of royalty around the Daimyo portrayal.

Jango Fett’s Droids

Jango Fett was not much into using droids like his son was, although worked alongside them in “Attack of the Clones” briefly during the droid factory sequence where Fett arrests Anakin and Padme. In the canon Bounty Hunters comic series, Jango Fett was seen fighting off a group of battle droids (Bounty Hunters #37), including a KX-series droid — the droid type originally developed for the “Rogue One” film. Jango Fett disarms the KX droid with a powerful knife weapon while using his flamethrower and whipcord launcher to defend his self from other battle droids. Jango Fett’s ability to fight droids was something seen within the Clone Army, as they inherited Jango’s gifts and thus were formidable enemies for an army of battle droids. Normal human beings, apart from the force-sensitive, do not stand much of a chance against battle droids unless they have the right tools and skills, which Jango Fett did. In the video game “Star Wars: Bounty Hunter,” there were some situations where Jango had to fight droids as well, like the battle droids of the prison where he stole the Firespray ship he’d name Slave I. There was also an optional secondary bounty involving a protocol droid, showing that Jango — and other Guild members — hunted droids down for money as well. For protocol droids to be wanted dead or alive would suggest a dark side to artificial intelligence in the service industry — and the very first Star Wars story was about a droid being hunted down for the sensitive information it contained, was it not?

R2-D2 (Part 3)

Back to R2-D2 again: he even plays a role in the life and death of Jango. At the very start of “Attack of the Clones,” R2-D2 is nearly destroyed on the landing platform that explodes, killing off several members of Senator Padme’s security and staff, including Padme’s decoy. The explosion was set up by bounty hunter Zam Wesell under the orders of Jango Fett. Zam was working for Dooku who hired Jango as a favor to Nute Gunray of the Trade Federation who was manipulated by Palpatine to do so, in order to destabilize the government enough in order to allow emergency powers for the Chancellor to approve of the clone army to deal with the threat of the Separatist Droid Army. Padme would have lost her life sooner were it not for R2-D2 as Jango and Zam make a second attempt at Padme’s life while she slept in her guarded Coruscant home. While it was technically Anakin that stopped the venomous multi-legged anthropods (named Kouhuns that come from the Wild Space region of the universe), Anakin could not have accomplished what he needed to do were it not for R2-D2 delaying the deadly creatures long enough. R2’s little delay inevitably is what sparks the chain of events that leads Obi-Wan Kenobi discovering Kamino, the Fetts, and the clones.

It was a miraculous, unlikely chain of events that involved Jango being seen briefly enough in the far distance after he shoots Zam with a Kamino dart which Obi-Wan’s prospector friend identified, pointing him towards the right direction. It seems Palpatine’s plans were never for Jango Fett to succeed in killing Padme. Instead, his skills of discretion and subtle assassinations backfire just enough where only a Jedi could find him exactly where Palpatine wanted and that Jango would be skilled enough to evade the Jedi while simultaneously being followed to Geonosis where the Separatists were meeting and the droid factories were, along with the initial Death Star design plans. While many could view Jango Fett’s mission a failure, it went exactly as Palpatine orchestrated, as he led them to both Kamino and Geonosis. It sets up for the ultimate showdown, between the Fett clones and the droid army. That concludes with Anakin Skywalker turning into half a machine and Boba Fett having to endure a war where soldiers with his father’s face were dying in a war against machines. Despite that, because he had no real connection to the other clones, he probably did not take it personally, so he was never one to refer to battle droids as clankers. In the Battle of Geonosis the difference between man and droid could not be more clear, as C-3PO can lose his head and get it re-attached by R2-D2. While at the same time in the same arena, Young Boba Fett can’t do anything about a very final death, except take the helmet of his father and mourn, looking into the T-visor where his father’s eyes once were looking back at him. He eventually would make his father’s helmet his own face, so much that even for a Mandalorian the way he moved had a robotic quality (even being confused for a droid by Jawas in a 1983 Marvel Comics story).


While droids are generally not a focus of Boba Fett stories, he has had enough of a history at this point where a storyteller could focus on that aspect in a story, unlike with Mandalorian Din Djarin who has a very planned out storyline in with regards to droids. Din Djarin’s distrust of them is rooted in his parents being murdered by a group of battle droids during The Clone Wars. They were programmed to exterminate villagers, who were then destroyed by heroic Mandalorians who saved Din and took him in as a foundling. Eventually and slowly he learned to accept droids are not evil in nature, learning that — while they possess artificial intelligence — most are still subject to the programming they are given. The variety of programming possible is exemplified in IG-11, transformed multiple times: from bounty hunter, to a nurse droid, to a remote guided robot, and then back to AI in the form of a Marshal.

On the other hand, Boba Fett grew up in a time when his blood-related brothers were at war with droids, while other droids were working as bounty hunters. He saw his father fight on the same side as Separatist droids in a battle against Jedi, only then to see clones siding with the Jedi against the droids. The lines of good and evil were blurred when it came to droids so he could not really think of them in those terms. Boba Fett knows reality doesn’t care how you feel, so he was neutral with droids. I think perhaps Boba Fett saw artificial intelligence as nothing but a business. On the flip side, a human character like Din Djarin feared and distrusted artificial intelligence on a personal and even spiritual level, mirroring real life attitudes on AI; people may see AI as an opportunity or something very problematic. The interesting thing about Star Wars is the lack of information on the origin of droids. They have existed thousands of years before the events of the original film and yet no one ever seems to question their origin in the universe.

We do know Jango Fett played a role when it came to a war between organic species and AI droids. His genetic material was being used for an army bred to fight that inevitability (even if it was the result of heavy manipulation by the Sith) and we know Boba Fett showed he was capable of doing a better job in the intergalactic bounty hunter business than advanced droids like IG-88 and 4-LOM. That’s what makes the Fetts unique in the conversation regarding Star Wars droids. Maybe it’s because one could imagine Fett in a world like that of “The Terminator” film series’ vision of an apocalyptic AI-dominated future. Perhaps because Boba Fett’s armor design was so battle worn, as if it had been through many battles, a key part of the Boba Fett armor design that has been lost in most modern interpretations of Mandalorian armor. While most fans of Star Wars focus on how Mandalorian armor and weapons were a good counter to Jedi Knights, another way to view it is that strong armor like that of beskar finally gave non-force sensitive types a way to even the odds against droids that are used as weapons in war. The Mod culture would also seem to reflect a subculture of people that evened the odds against machines by modifying their human bodies with droid style enhancements.

But if the droid enemy is R2-D2 then Mandalorian armor and modifications aren’t enough — because plot armor goes a long way in the Star Wars universe. After all, Star Wars is a fantasy as much as a sci-fi. While maybe an army of Boba Fetts fighting off killer androids isn’t realistic, or Boba Fett being superior over advanced bounty hunter droids may seem implausible, that’s kind of the point of this style of storytelling. It’s just like the unlikelihood of the Death Star being destroyed (twice). Or it’s like the miracle that the Rebels could find enough cracks during totalitarian-style Imperial rule where they could eventually discover the Death Star’s existence and its secrets. Or it’s the implausibility of characters surviving wounds that would normally kill a person, such as Anakin’s wounds, Palpatine’s survival, Maul’s survival, or Boba Fett’s survival of a near death experience. The droids of Star Wars are not meant to be too realistic or serious but the universe provides a diverse representation of androids, which have added much to the lore of characters like Boba Fett and other popular characters by perfectly blending sci-fi concepts with fantasy tropes.

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Review: "Boba Fett: Agent of Doom"

Published July 1, 2025Updated • Written by • Filed under Community

One of the most brutal stories within the Star Wars Legends continuity was Boba Fett: Agent of Doom, a truly savage one-shot comic released by Dark Horse in 2000. Written by John Ostrander, who is known for his work on Suicide Squad, and illustrated by Cam Kennedy, the comic showcased the atrocities committed by the Galactic Empire while also highlighting the depths that Boba Fett was willing to go to in order to cement his reputation as the galaxy’s greatest bounty hunter, making it an unmissable read.

The story begins around a decade after the Battle of Endor, with Fett meeting a member of the Gulmarid species named Slique Brighteyes in a seedy bar on a backwater Outer Rim world known as Basteel. Brighteyes explains that his species was driven to near-extinction by the Galactic Empire, who ransacked their homeworld of Gulma and massacred most of the inhabitants. The few surviving Gulmarids were then rounded up by Imperials and placed aboard a prison ship known as the Azgoghk, where they were subjected to horrific experiments by an Imperial scientist named Leonis Murthé. These events were depicted in flashbacks throughout the panels in which Brighteyes described them to Fett. And since Star Wars is generally viewed as a family-friendly franchise, Ostrander certainly deserves praise for showcasing the galaxy we all know and love in a far more sinister light. The writer was also clearly not afraid to highlight the atrocities committed by the Galactic Empire, making Agent of Doom a story which really does display the dangers of totalitarianism.

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Brighteyes reveals that he wants Fett to kill Murthé and Mir Tork, the Imperial admiral who commands the Azgoghk, as revenge for what they did to his people. Although the Empire had already been defeated by the time Agent of Doom took place, Murthé and Tork still continued to commit atrocious actions onboard the Azgoghk while also evading justice from the New Republic, and it is clearly understandable that Brighteyes would want to see them brought to justice. However, since the Gulmarids are clearly not wealthy, Brighteyes admits that he can only offer Fett a paltry sum of one hundred Imperial Credits for the job. This initially enrages Fett, who presses his blaster against Brighteye’s head and warns him that he is not someone who takes lightly to being mocked. Seeing as Brighteyes clearly has nothing left to lose, the alien then calmly explains that Fett’s reputation has suffered greatly after his encounter with the Sarlacc and his numerous failed attempts to capture Han Solo. Brighteyes then goes on to explain that accepting and completing this highly dangerous new assignment, which nobody else dared to attempt, could repair some of the damage to Fett’s blemished reputation. After a pause, Fett then agreed to accept the assignment. This exchange of dialogue proved to be fascinating for various reasons. Firstly, it proved that Fett really does care about protecting his reputation at all costs, something we can all relate to on some level. Despite being a bounty hunter who operates in a galaxy far, far away, Boba Fett still cares about how he is viewed by other people, making him a surprisingly human and relatable character, regardless of the cold and merciless exterior he presents to the outside world. And while he clearly did not have enough money to make the job appeal to Fett, Brighteyes clearly knew that appealing to Fett’s pride and his aloof but very real sense of morality, would ensure that he accepted the assignment.

Secondly, the conversation also showcased Fett’s sense of morality. Although Fett was regularly employed by the Empire at the height of its power, he still clearly disagreed with many of the immoral actions committed by the Empire’s totalitarian regime, and his willingness to accept the assignment also proved that he wanted to punish Murthé and Tork for their immoral actions. Since Fett does not remove his helmet throughout Agent of Doom, his exact feelings as he paused before accepting the job are ultimately ambiguous, but Ostrander no doubt wanted to display Fett’s human side by depicting him mentally weighing the advantages and disadvantages of the assignment before he agreed to hunt down the two war criminals.

Murthé and Tork are shown to be two of the most despicable villains ever depicted in the Star Wars franchise, as they both enjoyed the pain and suffering they inflicted on others. Murthé even admits that he no longer pretends to be a scientist, and that he simply inflicts pain for the pleasure it gives him. We also saw the heinous Murthé gleefully blasting a restrained Gulmarid with a blaster, while copious amounts of blood littered the floor, and a severed Gulmarid head and internal organs were strewn across a nearby table. Tork also explains that he approves of these appalling actions as he approves of the Empire’s anti-human agenda, and that, regardless of the Emperor’s death, he believes that all non-humans should be cleansed from the galaxy. Ostander clearly did a great job of making readers hate these two Imperials, because after just a few panels, fans will no doubt be hoping that Fett kills them both. And the panels showing Murthé torturing his victims almost seemed like they belonged in an R-rated horror film as opposed to a story in the Star Wars galaxy, since Kennedy really did pull no punches when it came to depicting the gruesome and heinous actions the crazed individual committed. Agent of Doom is certainly one of the more mature Star Wars comics on the market, and with good reason. There was even a panel depicting a grinning Murthé with the blood of his victims splashed across his face, since his sadism clearly knew no bounds.

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As soon as Fett accepted the job, we were treated to some spectacular action sequences. Fett initially used an Ion Cannon to disable the Azgoghk’s engines as it was about to land on the world of Malicar 3, causing it to violently crash-land. He then transmitted a message to the ship, where he stated that he simply wanted Murthé and Tork, and that the rest of the crew could either go free or die along with them. Fett is known for being a man of few words, and the merciless way in which he delivered the cold and straightforward message would certainly have sent a chill to all those onboard the ship.

The crew of the Azgoghk refused to surrender, resulting in a gun battle with Fett after he used his jetpack to board the ship through a side opening. Fett effortlessly gunned down most of the guards while avoiding being hit himself, since this story was clearly written before it was established that anyone wearing Mandalorian armor is essentially a superhuman who is invulnerable to damage. Most of the guards proved to be no match for Fett, and he left a trail of bodies in his wake as he marched across the ship.

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Fett then freed the captive Gulmarids who were being held onboard the Azgoghk, but he refused to help them any further, explaining that they should take the weapons of the dead guards and fight their way to freedom if they wished to survive. Although Fett clearly values the lives of sentient beings, he still believes in self-autonomy, which explains why he told the few surviving Gulmarids to fight the remaining guards themselves instead of helping them any further after he freed them.

Agent of Doom was published in 2000, before it was revealed that Boba Fett’s fatherly figure, Jango Fett, was killed by Jedi Master Mace Windu. Therefore, Fett did not have much of a reason to hate the Jedi at the time the story was published, unless you count how his skirmish with Luke Skywalker above the Great Pit of Carkoon played a role in him being fed to the Sarlacc. Since his grudge against the Jedi Order had not yet been established, Fett actually shows some respect towards the Jedi throughout Agent of Doom, as he explains to Murthé that wielding a Jedi’s weapon does not make him a Jedi. Fett was clearly disgusted by the sight of the sadistic Imperial scientist pretending that he knew how to wield a lightsaber in combat, and Murthé’s pathetic threats while he brandished the weapon clearly did not intimidate Fett. Instead of ending Murthé’s life quickly, Fett instead set the Imperial officer alight with his flamethrower, and casually looked on as the burning Murthé begged the bounty hunter to end his life to relieve him of his suffering. Since Murthé literally admitted earlier in the story that he enjoys inflicting pain on others, the way in which he begged for a quick end after being set on far was certainly satisfying. Like most who take pleasure in harming others, Murthé clearly could not handle being on the receiving end when pain was finally inflicted upon him. And because Fett causally looks on as Murthé burns and begs for a quick end, it was clear that, while he often tries to keep his sense of morality hidden, the bounty hunter clearly felt that Murthé deserved to suffer as punishment for the atrocities he had committed. Although he certainly is no saint, Boba Fett clearly still possesses a strong sense of right and wrong, something which was highlighted throughout Agent of Doom.

Fett then encounters Tork, who proves to be more of a challenge than the squirming Murthé. Although Tork threatened to detonate the ship’s self-destruct sequence unless Fett surrendered, the cunning and devious Fett then wisely chose to taunt his prey by pretending to leave and saying that he would hunt him down later. This act of mockery intentionally engaged Tork, who furiously demanded that Fett turn and face him before being shot dead by the bounty hunter. A squirming and mortally injured Murthé then charged into the room, and Fett swiftly ended him with a shot from his wrist launcher.

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Because of the grim and bleak tone of Agent of Doom, Kennedy’s artwork was never too bright or colorful, and the dingy colors on display served the book well. The interiors of the Azgoghk were shown to be dimly lit, with foreboding shadows and narrow corridors helping to create feelings of tension and claustrophobia as Fett prowled the ship. The scene where Fett encounters Tork was bathed with an aggressive red light, to highlight the murderous intent which both men had on their minds. And the portions of the comic taking place outside took place at night, with daylight never being present throughout the story. Kennedy also conveyed strong levels of detail throughout the comic, with the dents on Fett’s armour, the bloodstained floors in the torture chamber, and the malicious smirks on the faces of Murthé and Tork all being shown clearly and deliberately unpleasantly.

At the end of the story, Fett returns to Basteel to deliver a sack containing the severed heads of Murthé and Tork to a dying Brighteyes. We did not actually see Fett decapitating the corpses of the two Imperials, but the sight of blood dripping from the sack which he was carrying still proved to be something which will be burned into your memory for years to come. Fett also tells the Gulmarids who he liberated earlier to do whatever they need to do to survive, while also warning them not to forget his name. Although he performed an act of kindness by freeing them from their captors, Fett still has a reputation to uphold, and he has clearly had his fill of charitable acts by this point. Brighteyes is then shown lying on his bed, and while he appears to be dying, he still manages to express his gratitude by saying that he knew that Fett would complete the job, for the simple reason that he is Boba Fett. Although Brighteyes is on his deathbed and the survival of the Gulmarid species in doubt, the story still ends on a bittersweet note, with Fett fulfilling his duty and Brighteyes learning that his people have been avenged. And readers will still be satisfied to learn that Brighteyes and the rest of his dwindling species finally got to experience justice, with the sack containing their severed heads serving as a grim reminder that nobody escapes from Boba Fett.

Boba Fett: Agent of Doom simultaneously showcases the lengths that Fett is willing to go to protect his reputation, while also highlighting the hidden sense of morality he hides underneath his Mandalorian armor. Although it certainly was not the most cheerful or upbeat Star Wars story you will ever read, Agent of Doom still proved to be an unforgettably brutal and harrowing account of why Fett is the galaxy’s most feared bounty hunter. And its relentless depiction of the more vicious side of the Star Wars galaxy and the way in which it exhibits Fett’s determination to succeed at all costs made it into one of the best one-shot comics from the entire Legends catalogue.

Rating

5 / 5
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