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Review: "Star Wars: Boba Fett – Black, White & Red #3"

Published November 26, 2025 • Written by • Filed under Collectibles

Old fashioned bounty hunting with a blaster, flamethrower, whipcord, and even boot spikes make for a great Boba piece

I’ve been following the “Boba Fett – Black, White & Red” miniseries from the very beginning. The first two issues were both great, noteworthy entries in Boba’s pantheon of amazing adventures in comics. He’s always been an MVP in this particular medium, both in Legends and in Canon. As good as the first two issues were, however… I think this one absolutely takes the cake.

The story in #3 resonates with me to my very core, and hits home when it comes to the very reasons I became a Boba Fett fan in the first place. It’s about the integrity and value of keeping your word, the power and pain of nursing a grudge in the face of injustice, and good old fashioned bounty hunting.

This one is called “Meeting of the Minds.” It’s actually a pretty literal statement, not some metaphor about intellectual debates. The beginning starts with Boba doing what he does best: disintegrating his adversaries. Boba’s arsenal, like last issue, wreaks absolute havoc and it’s an absolute shame this isn’t a scene in live-action. His blaster, the flamethrower, the whipcord — even his boot spikes — inflict damage in this fight! He uses the latter to kick and lacerate the shins of an enemy. I vibe strongly with that panel because I too used to kick shins when I was a little kid, but it looks a lot cooler when Boba does it. Heck, anything looks cooler with him. Another amazing shot was Boba tying up an enemy with his whipcord, then pulling him in to use as a shield to intercept blaster fire. This is the skill set of the best bounty hunter in the galaxy; bravo to both the writer and illustrator for portraying this so well.

Boba is going through all this trouble in order to capture an information broker. He is seeking information on a particular bounty, an old one that went “dormant” years ago. In this case, dormant means the bounty is no longer active. That is precisely the reason that this broker asks Boba, “Why is this so important to you?”

This comic takes place both “Now” during which Boba is in his prime seeking this information, and “Then,” during which Boba is still young and using a very important outfit from his past. If you have watched “Star Wars: The Clone Wars,” you might recall that in Season 4 Boba Fett had an interesting outfit that wasn’t yet his green Mandalorian armor. It was this mask and suit comprised of mostly dark grey and a wine red color. The mask in particular was very interesting, but kind of hard to describe. It’s essentially the top half of a welding faceplate with the bottom half of some sort of respirator. It honestly looks really cool and it’s a pity we don’t have more merchandise of it, or additional appearances. That is, until now: it is this outfit that a young Boba- presumably around 12 or so- is wearing in this flashback.

Here’s the basis gist: the son of some fishmongers was unjustly killed over a game of Chance Cubes. This is the same form of gambling we saw Qui-Gon Jinn indulging in during Star Wars Episode 1: The Phantom Menace. The murderer responsible is this large, brute-like alien named Corm Vargon. He is also a religious zealot and associated with an extremist caste of the B’omarr monks; this will be a relevant detail later in the comic. For those who might not know or need a refresher, B’omarr monks are infamous because they willingly remove their brains from their bodies and put them in these spider-like droids instead, so that they may ponder the mysteries of the galaxy forever. Some of them can still be spotted scuttling about in Jabba’s Palace, which was formerly a B’omarr monastery.

It is obvious that Corm Vargon has no remorse whatsoever for the injustice he has done. But according to Boba, they have scrounged together enough of their meager earnings to hire him and attempt to exact justice. I found this motive to be compelling, sympathetic, and I became very invested in seeing this through. Not only is this one of Boba’s early bounties in his career, but it’s a good cause. And as Boba Fett once said in Tales of the Bounty Hunters, “I bow to no one and give service only for cause.”

Unfortunately, things do not go in Boba’s favor. Despite his amazing skill and his father’s training, he is no much for this foe. Speaking of which, Corm Vargon apparently knew Jango Fett, and used his legacy to taunt Boba. He said that although Jango was a great man, Boba was far beneath him and not living up to his legacy. I’m paraphrasing, but he said something to that effect and I’m sure that wounded Boba deep down.

Long story short, Boba is now attempting to avenge this past incident. During the “Now” era, Boba is clearly in his prime, so I presume this takes place roughly around the events of the Original Trilogy. This would mean that, give or take, about twenty years have passed since Boba Fett failed this bounty. Now, despite how many years have passed, Boba still wants to exact justice.

This is exactly what I find so compelling and gripping about this comic. Let’s break it down and think about the ramifications of this. For starters, Boba must still feel a tremendous amount of guilt. We can’t deny that Boba Fett grows up to be a ruthless enforcer during his adulthood. But remember, he accepted this bounty when he was still a child — one that still had youthful optimism and a more black and white sense of justice. I have no doubt that, as a kid who still hasn’t been corrupted by the ruthlessness of bounty hunting, that he would feel some sort of personal stake in avenging the fishmonger’s son. It is a reverse situation to one he can relate very strongly to: during this era, Mace is likely still alive. Being hellbent on avenging Jango’s death, Boba would see a parallel of this struggle in the grieving eyes of the fishmongers, trying to avenge their son.

He must also feel a lot of anger. This Corm Vargon trash got away with using his father’s name to insult him. There are very few things that cut deeper than that for Boba. And being so young when this happened, with the pain of his father’s death still somewhat fresh, I’m sure that amplifies the effect. This has now become a revenge mission for Boba himself, too.

Lastly, it’s Boba’s code of always completing the bounty missions he undertakes, no matter what. This is what I meant earlier when I mentioned the idea of keeping your worth. Once Boba takes on a job, he completes it. No matter what. And everyone in the entire galaxy knows that. That’s what it means to be the best; to adhere to high standards that most other bounty hunters wouldn’t. It makes sense of course, for Boba certainly isn’t most other bounty hunters. He’s the bounty hunter- an imperial even says that verbatim in the last issue.

I highly recommend reading this issue. The outcome of this mission is worth witnessing, even if it’s slightly bittersweet. But the good far, far outweighs the bad. I have read just about every comic Boba Fett has ever been in. This is one of my absolute favorites. It’s definitely in my Top 10, possibly even my Top 5 (I’d have to think about it). The writer, Ethan Sacks, has written for both Jango and Boba in the past. From what I’ve seen in his work, he understands the Fetts very well. It is this understanding that allows him to write solid pieces for them. In particular, I applaud the use of what I call the “Interim Suit” Boba had in “The Clone Wars.” Those of you reading, if you have a better nickname for that outfit I’d be happy to hear it. If I recall correctly, this is barely the second ever appearance of that outfit, which is saying something, given that the episode it debuted in originally aired in 2012 — now 13 years ago.

I also commend the core plot of this story. Despite the comic being short, it establishes a conflict that cuts deep for Boba and makes it easy for readers to get invested. The fact that Boba would still have the integrity to pursue this bounty, despite the money reward no longer being offered… it demonstrates the code that sets Boba apart from other hunters. He has carried the anger and guilt of this incident for so long, and yet is still hellbent on keeping his word and completing his mission. That relentlessness and honor are what made me a Boba Fett fan. Throw that in with the cool armor and weapons, and you’ve got yourself a character that has endured as a fan favorite for decades.

I’ll comment briefly on the art style. Using only three colors, particularly black white and red, gives these comics the vibe of something gritty like the Sin City movies. I think it absolutely complements the type of story being told. In fact, using too much color would probably detract from the grittiness.

I could go on and on about this issue, so I should stop here. I can borderline guarantee that you’ll enjoy this issue if you’re a Boba Fett fan. The final battle by itself is so good, carries a nasty but entertaining surprise, and is such a reward for Boba fans who want to see him shine. Throw in the story leading up to it, and you’ve got a comic that is not only a great Boba piece, but a great comic overall.

The Pros

  • Amazing, compelling story
  • Deep cut in Boba Fett’s history
  • Great action scenes with Boba
  • Great visuals that complement both the action and the plot

The Cons

  • None

Rating

5 / 5



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Fett Fact Check

2025 Black Friday / Cyber Monday Star Wars Sales Featuring Boba Fett

Published November 25, 2025Updated • Written by • Filed under Collectibles

It’s time for the 12th annual Black Friday / Cyber Monday sale breakdown, focused all around Boba Fett and co.

Shopping for yourself or a friend/fan/lover? This round-up can help. We also have a separate holiday guide and holiday ornaments list.

Updates: Jason W. Christman


Jump to: Toys and Figures | Video Games | Print | Apparel and Accessories | Books | Other


Toys and Figures

Amazon

There are many items are on sale on Amazon.com’s Star Wars store, which rounds up their major items — mostly apparel but some toys as well. You can also easily narrow down the results to just Fett items, including:

* And the helmet silhouette one is even cheaper on Walmart — see above.

LEGO

Get the LEGO UCS Jango Fett’s Firespray-Class Starship (75409) for $30 off, only at Walmart online.

The LEGO Jango Fett helmet is 20% off at Amazon and Target.

The LEGO Jango Fett’s Starship (75433) is also discounted right now — 20% off on Amazon and Target.

Entertainment Earth

Several Fett items are on sale on their site. Their pre-Black Friday sale is tiered for in-stock items: spend $100 to save $10, spend $150 to save $20, spend $200 to save $30, or spend $250 to save $40, plus free shipping. Discount applied automatically at checkout. Nice to see the Monogram helmet coin bank in their list.

Sideshow Collectibles

Starting 11/10 through 12/28, they have a randomly selected free Sixth Scale Figure with a qualifying purchase — spend $300 and pick from two, or spend $450 and choose from four on their site. They also have $5 to $10 shipping on some Fett items.

Disney Store

No Fett items on sale,


Video Games

Star Wars Jedi: Survivor

Xbox Store has a Black Friday discount, between 75% and 85% off.

Star Wars Outlaws

The Xbox Store discount is 70% off.


Print

Acme Archives

Starting 11/20 and going until 12/2 at noon Pacific, get 25% off sitewide. Discount is automatically applied at checkout. Not stackable and cannot be used with other discount codes. New additions include “Hunter For Hire” by Joe Hogan and new pins by Danny Hass.

Jason W. Christman

The artist with officially licensed prints is signing all orders and doing free U.S. shipping until the end of the year via his website. “Perfect Hibernation” features Boba Fett in the Cloud City carbon freezing chamber scene, plus he’s in “Jabba’s Palace,” shown below in the version via Acme Archives back in 2022. He’s also selling prints of “Cargo Hold,” originally released in 2012 via Acme.


Apparel and Accessories

Cotton Bureau

Wednesday, 11/26 to Monday 12/1: get free shipping for all our on demand “BFFC” shirts and stickers.

BFFC Designs

RSVLTS

They’re doing up to 60% off for Black Friday. You can also get free shipping if you sign up for their mailing list, which will send you a code to use at checkout. Sale includes their recently re-stocked “No Good To Me Dead” BorlandFlex Flannel Shirt.

Heroes & Villains

Starting 11/24, get 30% off on their site. Deal includes one of their Boba Fett backpacks (now $84) and their Boba Fett Mandalore performance hoodie (now $63), plus more.

Denuo Novo

Starting 11/21 until 12/2 at 5pm (timezone TBD), get 15% off sitewide plus 2x Rewards Points. The deal includes their Fett jetpack kit.


Books

Check back later.


Other

Check back later.


More

Are we missing something cool? Let us know in the comments.

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Exclusive Interview with Ethan Sacks, Author of “Star Wars: Boba Fett – Black, White & Red #3”

Published November 24, 2025 • Written by • Filed under Collectibles

Ethan Sacks helms issue #3 of Boba Fett’s “Black, White & Red” anthology, out this Wednesday, November 26th.

We asked the veteran Fett writer all about the latest issue of the four-part miniseries in advance:


BFFC: Tell us about your use of such deep cut characters like the B’omarr Monks and Djas Puhr.

Ethan Sacks: Once editor Mark Paniccia approached me with an offer for another chance to write Boba Fett, a character who I fell in love with during my run on Bounty Hunters a few years back, and in this cool black, white, and red (and lotsa gray, literally and figuratively) format, the B’omarr monks just popped into my mind. I mean they are black, white, and red. It’s right there! But those skittery exo-skeletons and long-lived brains have creeped me out since I first saw them on the movie screen in Return of the Jedi as a 10-year-old. What makes someone put their brain in a jar willingly to live forever? Plus I’ve always had a fascination with spiders and the idea of an infestation of those critters is an idea I’ve wanted to play with for a long time.

I got the single best note I’ve ever gotten from Lucasfilm when I included a reference photo of an infestation of Huntsman spiders: “New nightmare unlocked.” I will treasure that one forever.

As for Djas Phur, that is credit to editor Mikey Basso, who is an encyclopedia of Star Wars lore. But once he brought it up, I thought his species (Djas’s species, not Mikey’s human types) would make a formidable foe for Fett with those honed reflexes and fighting skills.

BFFC: What was it like writing for a different era of Boba Fett we usually don’t see?

To me, Boba Fett has been defined by the profound loss of his father at a young age. He spent much of his life trying to live up to a massive legacy. And he had to learn on the fly. It’s a cold galaxy for an orphan trying to make it in the bounty hunter trade. He eventually rose to eclipse even Jango, but it took a lot of hard knocks to get there. I relished the chance to tell a story set in BOTH of those eras: the dichotomy between the impulsive kid trying to cut his teeth, and the grown-up badass who breaks teeth.

BFFC: How does the more limited – but vivid – black/white/red color palette affect your storytelling?

I knew we had the pieces to tell a good story with that format, but having the great Juan Jose Ryp, an artist whose work I’ve admired for years, is what made it come together so well. His stunning art and color choices made this tale creepy as hell. There are parts that seem downright nightmarish. This has been a dream project all around!

BFFC: What inspired you to write this particular Boba Fett story?

I was intrigued by the idea of the bounty that got away. Exploring a failure that happened in Boba Fett’s past, before he was fully formed as the badass we know, that left an itch that he needs to scratch, a blemish on an otherwise near perfect record? Is there something more important to this legendary bounty hunter than the credits? I love trying to get inside the head under that helmet. Plus… did I mention how creeped out I get by those B’omarr monks?


The third issue comes out this Wednesday, November 26, 2025. Be sure to ask your local comic book retailer about any or all of the variant covers, too.



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Review: "Star Wars: Boba Fett – Black, White & Red #2"

Published October 29, 2025 • Written by • Filed under Collectibles

“Boba Fett’s not a bounty hunter… he’s THE bounty hunter.”

I previously gave a glowing review of Boba Fett – Black, White & Red #1. I’m pleased to report that the trend will continue with issue #2 of this solid, rewarding anthology series, each by different writers. These comics are 2 and 0 when it comes to portraying Boba Fett both well and faithfully, something I’m very grateful and hyped about because I’m hoping it can lead to a comeback for him.

The plot for this one is simple, straightforward, but fun and classic when it comes to Fett missions: Boba is pursuing a bounty. However, this particular bounty is an exceptional thief who has a master of evasion- not your typical target. Also, as revealed in our recent interview with the author, the story makes sure to show us things from the bounty’s point of view. In other words, what does it feel like to be hunted by Boba Fett? This comic shows us well that it’s essentially dread, adrenaline, and nonstop running.

The beginning starts in a way that highlights these very things and takes me back to the Expanded Universe itself. One of the first panels is a looming shot of the Slave I. The way it’s shown is just so overwhelming and awesome. It must feel so daunting to have it bearing down on you, looking for you.
Samu the Scurrier, who is Boba’s target, admits to feeling fear. But he’s a slippery quarry. For starters, he somehow manipulated the information on his bounty puck to show a picture of the wrong person. This even causes a delay for Boba, who had to be told by a droid that this had been the case. While Boba gets more information on Samu from the droid, Samu is trying to call in favors from literally anyone he can on this planet. I imagine he has operated here for a while, because it’s obvious he has some sort of history with the characters showcased. One particular one, an Imperial officer, has some lines that I really liked because it once again demonstrates what Boba Fett is supposed to be. When Samu is discussing the possibility of simply paying off Boba, the Imperial scoffs and says “You don’t understand who’s after you, huh? Boba Fett’s not a bounty hunter…he’s THE bounty hunter.”

This is who Boba Fett is, at his best. The best bounty hunter in the galaxy, with no equal. A dedicated master who completes any job he takes on, even missions others consider “impossible.” In other words, that one line from the Imperial implies both his effectiveness and his reputation for not yielding for whatever reason, be it bribery or opposition. It is fitting that this line is said with an awesome shot of Boba hovering with his jetpack, looking down like a bird of prey seeking to swoop down on it’s target. Excellent. Kudos to both author Saladin Ahmed and illustrator Ramon Rosanas.

Another trick buys Samu more time- a homemade bomb of sorts, releasing a powder that scrambles the sensors used by Boba’s helmet. But Samu’s sister, who was also looking for Samu, helps point Boba in the right direction. She wants him to be captured alive by Boba, because he is apparently pursued by people who want him dead. We find out who a couple of pages later: a trio of Houk. Houk are a species of large…how do I explain this? Skadge from the Old Republic game. They’re his species. Imagine if something like a bearded dragon was transformed into a large, thick humanoid, large enough to compete with Wookiees. That’s what these Houk guys are.

I don’t know if this counts as a spoiler, but they are no match for Boba. One of the reasons Boba is the best is because of the devastating, versatile arsenal he uses in the Mandalorian Armor he inherited from Jango Fett. He puts this arsenal to good use, absolutely wiping the floor with all three of these guys easily. It was like making three Gungans fight an Acklay: just an absolutely vicious, thorough, and amusing obliteration. Boba 1, Houk 0. The flamethrower, in particular, shined here.

I don’t want to give away too much of the ending, because I think this comic is worthy and I want to encourage readers to check it out. But I will say this: Boba has, at minimum, a shred of honor despite his ruthlessness. This means a lot in a world like bounty hunting, where treachery is as abundant as oxygen in the air and no one can truly be trusted. Boba got this honor from Jango Fett, and I think his relationship with Boba played a role in what went down in this last encounter, not just Boba’s commitment to finishing his bounties. Just as Jango was Boba’s idol, Samu also plays that role for his child as well. It’s a touching way to send off a simple but excellent comic.

It’s hard to praise this comic in a way differently from the last issue, because it excels in a very similar way. I absolutely loved this issue because it’s like having the original Boba Fett back. The one from the Original Trilogy and the Expanded Universe, who was always on top of his game and presented a very real and overwhelming threat to his quarry. With this Boba, less is more. He doesn’t talk much, or move needlessly. But when he does, it absolutely counts. The hint of honor goes a long way for me too. He already had somewhat of a code from the very beginning, even before the Prequel Trilogy was released. But with Jango Fett added to his backstory, the honor was an overlapping way of reconciling the past novels with the ones released during the Prequel era. This idea isn’t flat out stated, but definitely implied in the ending.

Overall, this is proving to be one of my favorite Boba Fett comic series of all time. I would rather have shorter projects that are faithful in their characterization of Boba, than long projects that aren’t. Although I favor live-action and video games over comic books, the comics are still part of Canon and also a worthy medium of entertainment in their own right. These comics are worthy successors to the likes of Twin Engines of Destruction and Blood Ties. The plots of Black, White and Red might not be as deep, but they are nonetheless just as faithful in their handling of Boba Fett.

I highly recommend these comics to any seasoned Fett fans who want to relive “the good old days,” or to new fans who want to see Boba at his best, in a unique art style with minimal colors that suits him well. I hope issues 3 and 4 continue this trend. Imagine going 4 and 0? What a run that would be…fingers crossed.

The Pros

  • Another faithful portrayal of Boba Fett
  • Interesting point of view from the quarry, a likeable character in his own right
  • Flamethrower turning a Houk into fried chicken
  • Although short, comic tells a solid story from beginning to end

The Cons

  • Enemies are typical cannon fodder – still no heavy hitters; I want Boba Fett vs Durge but maybe I’m asking too much

Rating

5 / 5




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Exclusive Interview with Saladin Ahmed, Author of “Star Wars: Boba Fett – Black, White & Red #2”

Published October 21, 2025 • Written by • Filed under Collectibles

Saladin Ahmed continues Boba Fett’s “Black, White & Red” anthology with issue #2, out October 29th.

We got to chat with the Eisner Award winning writer about it in advance:


BFFC: Welcome back to the Star Wars universe! You previously wrote short stories for the Canto Bight and From a Certain Point of View: Return of the Jedi anthologies. What was it like writing for Boba Fett this time around?

Saladin Ahmed: Well despite my deep love for rancor keeping, tackling Boba Fett certainly feels like a level up of sorts within the universe. Whether you agree with the conventional wisdom or not, he’s been considered the coolest character in Star Wars for decades — how could I not jump at the chance to write him?

BFFC: What did your writing process for Star Wars: Boba Fett — Black, White & Red #2 look like?

My writing process looks pretty unromantic — doing it for a living means treating it like a job. Wake up, get the kids to school, make coffee, sit down in front of a computer for most of the day.

But I’ve had some terrible jobs, and the big difference with this one is that alongside the hard work there’s fun. You always find a key thing in the story that you latch onto that generates the excitement that keeps you working. For this story it was thinking about bounty hunting in reverse — what would it be like to be hunted by Boba Fett? And what sort of slippery eel could make him work for his pay? The story flowed from there.

BFFC: Is there a specific Boba Fett moment that inspired the story you wrote?

Less a specific moment and more his broad reputation. Boba Fett is the guy who always catches his quarry. That’s what’s cool about him. So I thought it would be fun to put him against someone who isn’t tough or powerful but who can run like hell.

BFFC: You also wrote an issue of Wolverine: Black, White & Blood. How does the more limited, but vivid, color palette affect your storytelling? And are there differences between how you use it for Fett vs. Wolverine?

What’s wild is I also did a Harley Quinn story in the same mode! I think it’s an awesome palette to work with — for me it’s about thinking through what’s most alive in that character’s world. For Logan it was a whole lot of blood. For Boba Fett it’s a rocket pack and blaster bolts.


The second issue comes out a week from Wednesday on October 29, 2025. Ask your local comic book retailer about any or all of the variant covers, too.




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NYCC 2025: Our Exclusive Interview with Hasbro

Published October 9, 2025 • Written by • Filed under Collectibles

BFFC’s Chelsey B. Coombs spoke with Chris and Brandon on the Hasbro Star Wars team after a surprise reveal of a new Black Series “Book of Boba Fett” Boba Fett in their panel today! We got to speak with them about the details of the new figure, right in front of us and outside the display case. Brandon mentioned if you stay loud about things (e.g. throne for Fett, etc.), it can make a difference – they’re listening. We also chat about the HasLab success, “The Mandalorian and Grogu” on the horizon, and more.

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Review: "Star Wars: Boba Fett – Black, White & Red #1"

Published September 17, 2025 • Written by • Filed under Collectibles

Boba Fett really gets to shine in comics — especially this one, which begins a 4 part anthology style miniseries with different writers for each issue.

As stated from its title, “Boba Fett – Black, White & Red #1” consists only of using the colors black, white, and red. We need to state the obvious because this style is instrumental in creating a certain vibe for this comic. It makes it seem “retro,” more dated than it actually is. The style might not be for everyone, but I did enjoy it. It reminds me of certain movies like “Sin City,” that were largely in black and white with minimal color elements. It gives an artistic and atmospheric gravitas to the whole thing. I’m no comic aficionado, so I don’t know how common this style is. But for this particular miniseries, especially one about Boba Fett, I think it works.

But the most important part of anything in pop culture is the story itself. So how does it hold up? We’ll briefly go through it and I’ll give my verdict on that.

This issue is called “The Impossible Job,” written by Benjamin Percy with art by Chris Allen. That’s actually an important factor concerning Boba that we’ll dive into later. For now, the story starts on Sterna IV, which is apparently an Imperial prison station. Boba is slaughtering Imperials left and right while dragging some prisoner. Everyone involved thinks Boba is crazy to be doing this – that the Empire will destroy him. The comic makes sure to note to us that this is the sort of mission that most would consider impossible. However, as one early panel says, “Boba Fett always found a way when others didn’t.”

Let’s pause a moment, because that particular quote hit heavy with me. At his absolute best, Boba Fett is the definition of relentlessness and efficiency. It’s a faithful continuation of his original portrayal in “The Empire Strikes Back” and is especially a great tribute to who he was in the Expanded Universe / Legends. This idea of finding a way when others would have given up or not even tried – that was one of the core ideas of what Boba once represented, and what inspired me following his missions as a kid. When I read this quote, I knew that this author gets it. Benjamin Percy gets Boba.

I imagine this takes place during the Galactic Civil because both the Rebels and Empire are mentioned. Boba, of course, escapes with the prisoner and delivers him to the client, a rhino-like crime lord appropriately named Tusk. However, bounty hunting is a complicated profession. One of the reasons it’s complicated is because treachery in this business is as common as oxygen molecules in the air. For whatever reason, Tusk had sold him out to the Imperials and Boba is surrounded by Stormtroopers. This particular moment was interesting and tense. There were about nine Stormies surrounding him. Realistically, it’s essentially impossible to win a 1 vs. 9 at close quarters. But remember, this is the legend Boba Fett that we’re talking about. Conversely, Stormtroopers are absolute cannon fodder and a competent operator can likely take out several on their own. However, Boba plays along and lets himself get captured.

Long story short, he’s captured alive because the Imperial officer involved in this operation wants a certain thief named Bantan Jabar captured, along with a data disk of stolen Imperial data. If Boba can do this bounty for the Empire, his previous transgression in the prison break is forgiven. A quick side note: that initial prison break kind of reminds me of something similar Jango Fett did in the game “Star Wars: Bounty Hunter.” However, Jango’s mission was far crazier and harder than what we just saw Boba pull. I guess completing impossible missions runs in the Fett family.

This Bantan Jabar is hidden on a volcanic system, protected by the Rebel Alliance. Boba and the Slave I are immediately surrounded by Rebel vessels, but they just “want to talk,” notes one panel. Their leader is a rough Rebel called Rooker. They do the dirty work for the Rebel Alliance. They know Boba is after the disk that the thief gave them. However, they want to strike a deal with Fett. They offer to pay him off, double the bounty, to not continue the bounty. Boba agrees…

However, Boba always completes a mission once he accepts it. Deducing that the heat of this system would force Rooker to have a base on a cooler location, Boba finds a nearby moon and heads there. Of course, the base is there. It seems to be very well built and impervious to outside attack. However, a critical error presented an opportunity: the oxygen recycler was located partially outside the base. Boba’s jetpack missile makes short work of this and the base starts filling with smoke. The thief, Jabar, seems to be a member of the same race as Pong Krell; he tries to use 4 blasters to blast his way out of this mess. It doesn’t matter, as Boba easily subdues him with the good old whipcord.

The next and final sequence of the comic is what Boba Fett is all about and wraps up the story in the same cunning way Boba used to triumph in the “good old days.” We see Boba negotiating with both the Rebels and Empire. With the Empire, he gives the coordinates for them to meet him and trade the bounty for the data disk. With the Rebels, he will give them the physical data disk back in exchange for the money they promised him. It’s more or less the same deal…

The Imperials arrive to Fett’s coordinates to find the thief with a thermal detonator in his mouth, and a hologram of Fett. He requests the deal to be completed, and it is. You see, the Imperials were planning to kill Fett after they got the data disk, and he knew it. This is the signature trait of the way Boba Fett operated in the Expanded Universe / Legends: he was always one step ahead of his opponents. In anticipation of this ambush, he doesn’t show up physically and leaves an incentive – the thermal detonator – for them to cooperate.

But it gets even better. Boba had also given the same coordinates to Rooker’s Rebels. They were also planning to double cross Fett and he also got the drop on them in the exact same way. He outsmarted both parties, turned their machinations in on themselves and even pitted them physically against each other. In conclusion, everyone in this comic loses but Boba – and that’s what I like to see. It’s a testament to why he became the best bounty hunter in the galaxy.

Overall, this comic was simple and straightforward, but great. It’s an excellent nod to the Boba of old and I hope this trend continues. Hopefully it can help Boba regain momentum, starting with issue #2 which drops October 29. He has unfortunately had something of a drought after “The Book of Boba Fett.” He made an awesome cameo in “Star Wars Jedi: Survivor” and a forgettable one in “Star Wars Outlaws.” The stories like the one in “Black, White & Red,” why can’t we get more of that in other mediums? Fingers crossed for now. I think this comic is a worthwhile read and a faithful addition to Boba’s career.

The Pros

  • Faithful portrayal of Boba Fett

The Cons

  • Enemies are typical cannon fodder – no heavy hitters

Rating

4 / 5




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Tribute to Vance Lorenzini

Published September 8, 2025Updated • Written by • Filed under Fettpedia

We just learned that Vance Lorenzini passed away at the age of 74 on June 4, 2025.

Co-owner of Daydream Productions with Sandy Dhuyvetter, back in 1978, Vance collaborated on three of the costumes for “The Empire Strikes Back” and one helmet used in “Return of the Jedi.” (Some in the cosplay community swap out the “Empire” ones to say the Pre-Pro 2 costume and helmet plus the Promo 1 and Promo 2 costumes, but there’s consensus on the “Jedi” helmet, which was part of the Promo 1 set.) Everything arrived to their Los Gatos, California based shop from England in the all-white “prototype” form, all featuring the iconic dent.

We reached out to Sandy to share the news and she had this to share with us:

Vance and I met over 50 years ago as Art Teachers in El Rancho School District in Pico Rivera, California. We were passionate artists and quickly fell head over heels for each other. We planned our escape from teaching and together we transformed into professionals as we forged our way to the Bay Area. We called our newly hatched and our first business, Daydream Productions. Our portfolio was rich in that we were both active artists, even while teaching.

Our energy complimented each other as we schlepped our work and found the entertainment sector was alive and active in the Bay Area. We started working almost immediately. The first year, we painted almost a hundred windows during the Christmas season. We silk screened T-shirts and sold them out of our car at festivals. We were hungry and loved creating.

Our first project for Lucasfilm was More American Graffiti working on set props, poster, race car logos and whatever other visual that might be needed. Our second job was creating the final 3 costumes for the original Boba Fett in 1978.

By the end of the project, we both understood our paths might not cross but they were blossoming.

Vance’s career launched as he went on the road with film crews to offer creating and artistic direction. He ended back in Los Angeles area where he continued his career. I went on to discover that the multi-media aspect to film was exploding and started a Bay Area firm called The Electronic Pen.

Vance was quick to laugh and always creative in thought. He was a shining light that always made laugh and made me realize life was good. I know he inspired many.

I am so sorry to hear of his death. My deepest condolences to his family.

— Sandy Dhuyvetter

Known more so for his production designer credits across five decades, Vance was “a creative force behind the scenes, [producing] and [designing] more than 5,000 television commercials and 2,800 music videos, along with several feature films and television projects. His exceptional artistry and innovation earned him numerous awards and widespread recognition throughout the industry,” notes the Vance Lorenzini Memorial Fund on GoFundMe, spearheaded by Vance’s son, Christian Lorenzini.

Some of his non-Star Wars work included working with filmmakers like David Fincher and Michael Bay; brands like Porsche and Nike; and musicians like Katy Perry and Mariah Carey. See his Wikipedia and IMDb pages for more. Don’t miss his Instagram page too for more visuals through 2021.

Marcus Nispel, a colleague shared this on Facebook: “[He] introduced me to the concept of quality. Vance used that word all the time. He taught me that quality is not just important in what we put in front of the camera… but that it matters in all aspects of life: In what we eat, how we live, friends, music, health… in everything. … Vance Lorenzini was and always will be the epitome of excellence… he has left us with a body of work and a work-ethic that one can only hope to aspire to.”

Sandy Dhuyvetter with Vance Lorenzini, circa 1977. Photo courtesy of Sandy for our post here.


Helmet nod to Rachel G. for emailing us to let the larger community know.

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Exclusive Interview with Benjamin Percy, Author of “Star Wars: Boba Fett – Black, White & Red #1”

Published September 3, 2025Updated • Written by • Filed under Collectibles

Benjamin Percy kicks off the debut issue of Boba Fett – Black, White & Red, the four issue anthology starting September 17th.

We had the opportunity to ask the acclaimed writer about the upcoming issue:


BFFC: What did your writing process look like for Star Wars: Boba Fett – Black, White & Red #1?

Benjamin Percy: When you’re working with Marvel on any property, there’s an approval process. Typically you put together a pitch – and once that gets noted and approved, you provide a beat-by-beat breakdown of the issue—and once that gets noted and approved, you go to script. And then your collaboration has just begun with the artist and colorist and letterer, so things continue to get massaged. Many steps, each one intended to make the story stronger.

But Boba Fett – Black, White & Red #1 isn’t just a Marvel story—it’s also a Star Wars story. So there’s another force (so to speak) at work. Lucasfilm is kind of like Yoda: wise and encouraging, but also tough and all-knowing. They have the absolutely insane challenge of taking all their stories (and there are many of them—from the movies to the shows to the novels to the comics)—and making them fit within their established continuity. They are carrying around encyclopedias worth of knowledge in their heads.

So all of us are working together to give fans the very best a galaxy far, far away has to offer. I pitched a story—called “The Impossible Job”—that puts Fett in a tight spot. He’s chasing a bounty—on the greatest thief in the galaxy—but he’s getting pinched by both the Empire and a rogue unit of rebels. They approved the germ of the story, and we started building from there.

It’s been a total blast. But the most fun part? Seeing the art. Every time I got an email alert, I rushed to open the latest pages and panels and designs. Christopher Allen is an artist I’ve worked with before (on Predator Vs. Black Panther), and does a brilliant job with Fett—and with the Star Wars universe. The layouts are so dynamic and the backgrounds and sets are lushly detailed. You can tell he loves drawing in this world.

BFFC: Is there a specific Boba Fett moment that inspired the story you wrote?

Not really. It’s more of a vibe. Fett is so cool, so unflappable, so capable. I wanted to put him in a situation that had serious heat and pressure to see how he’d respond.

BFFC: How does writing someone like Boba Fett compare to writing Wolverine or The Predator?

Well, both of those characters you mention are especially primal and raw. Fett might be a hunter, like the Predator, and he might be a loner, like Wolverine—but there’s so much self-control as he calculates his next move and how he’s gonna get paid.

But regardless of their differences, here’s what’s the same: they’re both big franchise characters that people love. So you want to honor their legacy while also putting your own unique stamp on them.

BFFC: How does the more limited, but vivid, color palette affect your storytelling?

If I’m writing a Black, White, and Red book, my brain is immediately focusing on that red—and how we can take advantage of it. I already mentioned how Fett finds himself pinched between two opposing forces—the Empire and a rogue rebel faction—as he pursues the greatest thief in the galaxy… but I didn’t tell you how I raised the stakes even further with the setting. This guy has hidden himself in a lava system. So the reds vividly burn their way onto the page.


The debut issue comes out September 17, 2025. Ask your local comic book retailer about any or all of the variant covers, too.




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SDCC 2025: Our Exclusive Interview with Premium Collectibles Studio

Published July 27, 2025Updated • Written by • Filed under Collectibles

We spoke with Anthony Adams, the owner of Premium Collectibles Studio, who showed off their relatively new Star Wars line at SDCC this year with Darth Maul and Darth Vader.

Before this interview, we had just coordinated with PCS via Gabe Estrada (aka gabesempire) to show off the design of their forthcoming Boba Fett fine art piece on our social channels, after it was revealed during the Lucasfilm: High-End Star Wars Collectibles panel on Friday. Some feedback came up on our post, which Anthony addresses – a cool, rare reaction to get things more accurate, especially at this price point. (Shout out to BFFC fan and The Dented Helmet expert Budafett.)

Anthony also mentions when pre-orders should open up and how there will be a variant without the back artwork, which features Boba on his rancor from “The Book of Boba Fett.”

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